Renee is Writing

This post is all about how, or how not to, resolve a crisis with your novel's plot. First steps are sensing the crisis in the first place and then figuring out what the exact crisis is. In this case it amounted to the following: In revising a chapter to read to my critique group at our meeting this Saturday I found the writing flat and there wasn't much happening until page 5 of the chapter. There was a supporting character causing me some trouble. First there were incidents occuring that didn't work when I checked my research contact. Second in analyzing what I needed to change I realized this character wasn't adding anything to plot or doing anything that moved the plot along. Once I put that all together I had to figure it out. I knew the flat writing could be fixed in the rewriting process and that some of the action, or lack thereof, in the first two chapters could be condensed and the meeting of the two romantic leads could be moved up sooner in the stor